No. 29Rights & Licenses

Sublicensing

Also called sub-licence, third-party licensing, sublicense rights

The label's right to licence your recordings to third parties without your approval.

Watch closely

Broad sublicensing rights allow the label to deal with your recordings without your involvement.

Appears in
Recording Agreement, Distribution Agreement, Licensing Agreement
Topic
Licensing
Jurisdiction
United States
Reviewed
July 2026

In plain English

Sublicensing gives the label the right to grant licences for your recordings to third parties, other labels, distributors, film studios, or brands, without needing to seek your consent for each deal. Income from sublicences flows through the label's accounting system and is subject to the same royalty calculations as direct sales.

Why it matters

Without controls on sublicensing, the label can place your music in contexts you would never approve and license to companies whose terms are unfavourable. Sub-licencee accounting is also harder to audit.

Where it can land

The same clause is drafted three ways. These are the positions we see, worst first, so you can tell at a glance which one is in front of you.

Off marketPush back
  • Unlimited right to sublicence to any third party without notice or approval
  • No obligation to account to artist for sublicence income at the same royalty rate
  • Label can sublicence to affiliated companies at below-market rates
StandardWorth negotiating
  • Sublicence approval required only for 'major' deals, minor licences still unchecked
  • Sublicence income accounted at a lower rate than direct income
Artist-friendlyWhat fair looks like
  • Artist approval required for sublicences above a defined fee threshold
  • Sublicence income subject to the same royalty rate as direct licence income
  • No sublicences to affiliated companies at below-market rates without artist consent

The language

The drafting language and the negotiation moves for this clause are part of the workspace.

You have read what the clause means and where the risk sits. The rest is the side-by-side of how it reads when it is against you and when it is not, plus the specific moves that get it there.

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